Hey gang! It's almost time to take our victory lap at the Student Showcase next week, but this pas week we still had a bit of work to do--namely the songs of the session. If you haven't looked up Malvina's own version of Little Boxes, do yourself a favor and check it out: http://youtu.be/2_2lGkEU4Xs
I just love her voice.
There are many many versions of Water is Wide on YouTube also, but I'm partial to Pete's singalong version, because...Pete. Just Pete: http://youtu.be/wenQ_ThYksA
The rundown of Showcase songs is as follows --
Thursday Guitar 4: Just What I Needed (see previous post for a video tutorial). Stick with it! It's gonna be fine so long as we're all in it together. Pinky swear! We'll meet at 8:30p as per usual. Show starts at 9pm.
Saturday Guitar 3rep: Never My Love. It's gonna be so purdy! Ziggy is the fallback but I bet we won't need it. We meet at 11am as usual, and our show starts at noon so all your guests can get comfy in the concert hall.
Sunday Guitar 2rep: Heart of Gold--BUT (and it's a big but) there's always a chance that a class before us will play it. It's a popular tune at all levels. We don't want to get upstaged, so keep We're Gonna Be Friends ready as our back-up plan. Meet me at noon like always, and tell your guests that curtain goes up at 12:45p. But there isn't really a curtain.
E-mail me with questions, practice hard, and ENJOY the fruits of a productive session!
Remember next session starts up immediately, so if you haven't registered yet you'll wanna get on that so you don't miss a beat.
As always, it's an honor and a privilege to be your teach, and I learn far more from you all than I could ever reciprocate. Thanks for the music!
Tuesday, June 17, 2014
Friday, June 13, 2014
Confidential to Guitar 4 on Thursday night
Hey Thursday night kids! Here's a video lesson to help you get prepped for the Student Showcase next week. http://youtu.be/u6zfUICIcII
Tuesday, June 10, 2014
Session 3, Week 6 Recap -- ALL CLASSES
Hello friends!
The session is starting to wind down but we still have work to do.
Guitar 4 got started on a song by one of my favorite all-time bands, The Cars. Take note of the intro! You play eighth note down strums on the E string ONLY for 6 beats, and then you let the chord ring on the 7th beat. Do that four times. Then play the string alone for 6 beats, followed by the chord twice on 7 and 8. Listen and it'll make sense: http://youtu.be/TsPh-EgH65M
There are a number of small lead parts you can play on the high strings (tabbed out) which mimic the keyboard parts in the song. Listen and follow along and in our next meeting will spend some more time getting those nailed down. (But don't let Man Who Sold the World get rusty either because I'll want to run through that again too)
In Guitar 3 Rep we roped some Wild Horses. The strumming pattern is more or less the same as on Ziggy, but a little slower, lazier, and less precise. Don't worry about all the little up and downs, so long as you land clear strums on beats 1, 2, and 4. The rest of the doo-dads are just by feel. The split measures feature the root-strum root-strum-root stepping stones you'll hear here: http://youtu.be/UFLJFl7ws_0 Get to that root note! Especially on the Bminor. You've got a little extra time to form the rest of the chord after you nail the root on the one. Keep Never My Love and Ziggy fresh because they're all contenders for graduation. And bring your songbooks this week so we can do the song of the session fingerstyle!
And on Sunday, Guitar 2 Rep learned September Gurls, which I hope is now your favorite song. I love Big Star sooo very much. http://youtu.be/BNKSs1J38EA
The session is starting to wind down but we still have work to do.
Guitar 4 got started on a song by one of my favorite all-time bands, The Cars. Take note of the intro! You play eighth note down strums on the E string ONLY for 6 beats, and then you let the chord ring on the 7th beat. Do that four times. Then play the string alone for 6 beats, followed by the chord twice on 7 and 8. Listen and it'll make sense: http://youtu.be/TsPh-EgH65M
There are a number of small lead parts you can play on the high strings (tabbed out) which mimic the keyboard parts in the song. Listen and follow along and in our next meeting will spend some more time getting those nailed down. (But don't let Man Who Sold the World get rusty either because I'll want to run through that again too)
In Guitar 3 Rep we roped some Wild Horses. The strumming pattern is more or less the same as on Ziggy, but a little slower, lazier, and less precise. Don't worry about all the little up and downs, so long as you land clear strums on beats 1, 2, and 4. The rest of the doo-dads are just by feel. The split measures feature the root-strum root-strum-root stepping stones you'll hear here: http://youtu.be/UFLJFl7ws_0 Get to that root note! Especially on the Bminor. You've got a little extra time to form the rest of the chord after you nail the root on the one. Keep Never My Love and Ziggy fresh because they're all contenders for graduation. And bring your songbooks this week so we can do the song of the session fingerstyle!
And on Sunday, Guitar 2 Rep learned September Gurls, which I hope is now your favorite song. I love Big Star sooo very much. http://youtu.be/BNKSs1J38EA
I still can't believe this tune came out in 1974. Sounds like something you would've heard on the stage at Pitchfork this summer--though I bet you anything that all the bands on that bill are Big Star fans! The only thing tricky in that tune is the intro, but if you think of it in terms of moveable shapes, it's simple enough. Start with a D shape at the 7th fret (your 3rd finger will be on the 8th fret). Then make a Dm7 shape--which is like an F minus your 3rd finger--at the 5th fret (2nd finger at 6th fret). Finally, keep your fingers in that shape but slide them down to the 3rd & 4th frets. You'll strum the open D string through all of those moves to create a kind of background drone.
Incidentally, the documentary I mentioned is called Nothing Can Hurt Me. If you get a chance to see it, I highly recommend it. I was lucky enough to see it on the big screen at the Music Box Theater, and I came away completely inspired as a songwriter. It shows you all the beauty and horror, the excitement and the boredom, and all the other polarizing moments that comprise belonging to a band.
Tuesday, June 3, 2014
Session 3, Week 5 Recap -- ALL CLASSES
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| Why yes that IS Diane Keaton in the original Broadway cast of Hair! |
The Early Registration pressure is ON! Save $15 on your next class--with me or with another fine teacher!--if you use the code PLAYSUMMER14 when you sign up...but you have to hurry. The discount is only good through this Friday the 6th. Here's a link to my faculty page (now with dramatic B&W photo!): https://www.oldtownschool.org/teachers/Jane-Hanna/
I've also got a few of gigs I want to put on your radar.
- On 6/21, my Glam Rock Ensemble will perform at Independence Tap, along with the Women's Rock Ensemble and the CBGBs Ensemble. Loud, silly, electrified fun for all (and a chance to check out what ensembles are all about if you've never signed up for one before!). Music starts at 8pm, no cover.
- On 6/28, my David Bowie cover band Heroes will perform its finally-final (for real this time) show EVER at Parlour on Clark. It's the eve of the Pride Parade and we're on a bill with a disco band so there will be sweat and glitter and inappropriate behavior for all. Music starts at 9pm...not yet sure about the cover, if there is one.
- On 7/14, I'm performing a set at the Acoustic Explosion open mic series at Silvie's Lounge. These shows sometimes have themes and that one will be--wait for it--MUSICAL THEATER. Come sing along as I giggle my way through some selections from Hair, the American Tribal Love-Rock Musical (the show in which I made my stage debut at age 14--it was a super-edited Reader's Digest version performed at teen theater camp). Show starts at 8pm, I play 9:10ish, and there's no cover.
So down to business.
Guitar 4 continues to valiantly forge ahead through some heavy scale work in Man Who Sold The World. I'm not going to do a lot of 'splaining here because it's all tabbed out for you on the goodies sheet. But I do have some bits of advice. Bit #1: Look for patterns. Your fingers make certain shapes multiple times when you play scales. Look for those and learn to love them. Repetitive motions make life a lot simpler and there are really only like 3 maneuvers you have to make in that tune. Once you've isolated those motions, you repeat them on different string combos, and there you have it. Bit #2: PRACTICE PRACTICE PRACTICE. The only way to take this from confounding to competency is to do it. A lot. Muscle memory is a real thing and your fingers will start to act on their own in the correct way but you've got to train them first and that takes time and repetition. You can't play it once, skip the next 3 days, and expect it to have gotten better. Be consistent and watch yourself improve like magic!
Guitar 3 Rep did a little riffage based around the C chord in The Association's Never My Love. If you remind yourself that the C-shape is home base, and you simply make minor modifications inside that shape, you should be good to go. Also remember that the riff starts on beat 3, so you've got to count in "1 and 2 and" BEFORE you start. Inside the song, you'll be strumming either a C chord or an Am for those two lead-in beats, but in both cases, your fingers are already where they need to be to play the riff (because the C and Am chords are so closely related!) so you don't have to change anything to step right into the riff. We threw in one little walk, just to keep things spicy, and we're using the Golden Strum. It's a lot of work but the song is too pretty not to put in the effort! Take a look at the song of the session--Water is Wide--because we'll do some fingerpicking with that one next week.
And Guitar 2 Rep continues to gobble up material faster than I can bring it in! We fingerpicked our way through We're Going To Be Friends, using a "thumb-one-thumb-two" pattern with the picking hand. Remember that your thumb moves around to find the bass notes, but the one and two picking fingers occupy only two different zones in the song. Zone (or type) 1 is the 3rd and 2nd strings, and Zone 2 is the 2nd and 1st strings. It's a small shift between the two, so don't over think it. You're in Zone 1 for the G, C, and A chords, and in Zone 2 for the D and C chords (when the C chords follow the D chords). Mess around with fingerpicking on the song of the session--Water is Wide--and anything else in the book that strikes your fancy, and the muscles will get more nimble with that pickin' bizniz.
Good work, all of yous! Keep it up!
Thursday, May 29, 2014
Session 3, Week 4 Recap -- ALL CLASSES (better late than never!)
Hi gang! I'm still excavating myself from a massive backlog at the day job. Trips and holiday weekends are suppose to be fun, but for me they just create WORK! A thousand pardons for updating so late this week, and I'm afraid this post will be extremely brief--but I'll see you all soon.
Guitar 4 last week continued to contemplate the meaning of the word "intermediate," after a somewhat grueling lesson on scales. Remember, WWHWWWH or the weird phone number 221-2221 in order to memorize the intervals that make up a major scale. 1 fret = H, so 2 frets = W. You can play up a single string, or break across strings to stay in one position using either an open or closed scale form. Open scale forms utilize the open strings--hence the name! But they can ONLY be played in one place because open strings are a fixed note/ position. Closed scales on the other hand, are modular and moveable. So long as you know where your root note is, you can use the same finger sequence to from any starting position. Don't forget that the second diagram--the one for CLOSED scales--shows you finger numbers, NOT fret numbers. Very important! We'll put it into further practice tonight with Man Who Sold the World, so hopefully you practiced up on the hammer-ons and chord progression we started with last week.
Saturday's Guitar 3 Rep had some fun with Tom Jones. Here's the video I promised: http://youtu.be/1UxU8s7Au0A The man BRINGS it, you have to give him that. The bridge of that song is an exercise in strength building--which is why you should play it as much as possible! Ziggy's sounding really good now that we have all the fiddly bits added in, so keep that one polished too because we'll definitely hit that this week.
And Sunday's Guitar 2 Rep stood by its man with great aplomb. Her face! I can't even...http://youtu.be/DwBirf4BWew
That alternate bass strumming is brainy work, I know. Add in the little walks connecting sections and you're really in fancy territory, but it sounds SO good. Always consult the worksheets in the front of the packet if you need help.
I'm looking forward to making some great music with you all this week! I hope you know how much I enjoy our classes together. Singing and playing with you is what soothes me and keeps me sane (arguable, I know) after a long week at the day job. Thanks for that!
Guitar 4 last week continued to contemplate the meaning of the word "intermediate," after a somewhat grueling lesson on scales. Remember, WWHWWWH or the weird phone number 221-2221 in order to memorize the intervals that make up a major scale. 1 fret = H, so 2 frets = W. You can play up a single string, or break across strings to stay in one position using either an open or closed scale form. Open scale forms utilize the open strings--hence the name! But they can ONLY be played in one place because open strings are a fixed note/ position. Closed scales on the other hand, are modular and moveable. So long as you know where your root note is, you can use the same finger sequence to from any starting position. Don't forget that the second diagram--the one for CLOSED scales--shows you finger numbers, NOT fret numbers. Very important! We'll put it into further practice tonight with Man Who Sold the World, so hopefully you practiced up on the hammer-ons and chord progression we started with last week.
Saturday's Guitar 3 Rep had some fun with Tom Jones. Here's the video I promised: http://youtu.be/1UxU8s7Au0A The man BRINGS it, you have to give him that. The bridge of that song is an exercise in strength building--which is why you should play it as much as possible! Ziggy's sounding really good now that we have all the fiddly bits added in, so keep that one polished too because we'll definitely hit that this week.
And Sunday's Guitar 2 Rep stood by its man with great aplomb. Her face! I can't even...http://youtu.be/DwBirf4BWew
That alternate bass strumming is brainy work, I know. Add in the little walks connecting sections and you're really in fancy territory, but it sounds SO good. Always consult the worksheets in the front of the packet if you need help.
I'm looking forward to making some great music with you all this week! I hope you know how much I enjoy our classes together. Singing and playing with you is what soothes me and keeps me sane (arguable, I know) after a long week at the day job. Thanks for that!
Wednesday, May 14, 2014
Session 3, Week 2 Recap -- ALL CLASSES
Hello friends! Late-breaking update from the desk of a very busy dayjobber who's getting ready for her big annual convention in Seattle later this week. I'm presenting on a panel, so I'll be putting on my teacher hat in another context. As I mentioned to all of you weekend students, that means that you'll have a sub. The awesome Chris Corsale will be your guide. He's up-to-speed on what we've been working on, and I asked him to bring in some fresh tunes for your enrichment. Can't wait to hear all about it!
(Thursday gang, I'm not leaving town until the weekend so you're stuck with me this week)
But enough about the future, let's talk about the past! And last Thursday night in Guitar 4 we went WAY back to the songbook for some finger-pickin' good times. Freight Train in your song book is a great way to work through that T-2-1-3 finger pattern using basic open chords (including little F. No barred Fs here. Phew!)
Don't watch E.C.'s fingers too closely because it'll sprain your eyes and brain: http://youtu.be/43-UUeCa6Jw She plays it upside down and backwards. Also her pickin' is more complex than ours but she wrote the song so she's allowed to get as fancy as she wants.
On Saturday, Guitar 3 Rep got into Green Day and learned our way around the Big G (4 finger G) and the Cadd9. http://youtu.be/CnQ8N1KacJc Remember, I give you permission to keep your pinky and ring fingers down for the WHOLE song. It's a little different than what Billie Joe does, but who cares?! We do what we want. (and I think it sounds cooler with that high drone) The strumming pattern is just a sloppy Golden Strum, with some assemblage of the low strings ringing on the downstrums, and assorted high strings on the upstrums. Don't over think it. You know Green Day doesn't!
We also learned the extensive strumming rhythm that'll see us through the bulk of Ziggy Stardust. You have to subdivide the measure into 16th notes and pay attention to emphasis (on the 1, 2, and 4).
You can break it down like this:
V V^ V V^ V^V^ V V^ (one and a two and a three e and a four and a)
When I get back from Seattle, we'll go through the intro riff and then we'll have ourselves a tune!
And Sunday's Guitar 2 Rep continues to blow my mind by getting all the way through complicated songs in one go! We played Heart of Gold--hammer-ons and all--which are a new technique where you use a percussive action of the finger on your left hand against the fretboard to produce a sound from the string, instead of picking it with your right hand. Here's a handy video tutorial (never mind the "pentatonic" stuff. Just get the concept and try the exercise on any old strings).
https://www.youtube.com/watch?feature=player_embedded&v=v9xjT9zVVQU
There's some "stop-time" rhythms that you'll see on your song sheet where the asteriks are. You can follow my notes, or you can listen to the man himself in this great clip. It takes him awhile to find the right harmonica, but once he does, boy is he great.
(Thursday gang, I'm not leaving town until the weekend so you're stuck with me this week)
But enough about the future, let's talk about the past! And last Thursday night in Guitar 4 we went WAY back to the songbook for some finger-pickin' good times. Freight Train in your song book is a great way to work through that T-2-1-3 finger pattern using basic open chords (including little F. No barred Fs here. Phew!)
Don't watch E.C.'s fingers too closely because it'll sprain your eyes and brain: http://youtu.be/43-UUeCa6Jw She plays it upside down and backwards. Also her pickin' is more complex than ours but she wrote the song so she's allowed to get as fancy as she wants.
On Saturday, Guitar 3 Rep got into Green Day and learned our way around the Big G (4 finger G) and the Cadd9. http://youtu.be/CnQ8N1KacJc Remember, I give you permission to keep your pinky and ring fingers down for the WHOLE song. It's a little different than what Billie Joe does, but who cares?! We do what we want. (and I think it sounds cooler with that high drone) The strumming pattern is just a sloppy Golden Strum, with some assemblage of the low strings ringing on the downstrums, and assorted high strings on the upstrums. Don't over think it. You know Green Day doesn't!
We also learned the extensive strumming rhythm that'll see us through the bulk of Ziggy Stardust. You have to subdivide the measure into 16th notes and pay attention to emphasis (on the 1, 2, and 4).
You can break it down like this:
V V^ V V^ V^V^ V V^ (one and a two and a three e and a four and a)
When I get back from Seattle, we'll go through the intro riff and then we'll have ourselves a tune!
And Sunday's Guitar 2 Rep continues to blow my mind by getting all the way through complicated songs in one go! We played Heart of Gold--hammer-ons and all--which are a new technique where you use a percussive action of the finger on your left hand against the fretboard to produce a sound from the string, instead of picking it with your right hand. Here's a handy video tutorial (never mind the "pentatonic" stuff. Just get the concept and try the exercise on any old strings).
https://www.youtube.com/watch?feature=player_embedded&v=v9xjT9zVVQU
There's some "stop-time" rhythms that you'll see on your song sheet where the asteriks are. You can follow my notes, or you can listen to the man himself in this great clip. It takes him awhile to find the right harmonica, but once he does, boy is he great.
https://www.youtube.com/watch?feature=player_embedded&v=Eh44QPT1mPE
E-mail me with questions and keep on strummin'!
E-mail me with questions and keep on strummin'!
Tuesday, May 6, 2014
Session 3, Week 1 Recap -- ALL CLASSES
Ahhhhh! That new session smell. Welcome back to the school and to this blog! After many weeks of technical difficulties, I believe I can post again (testing? testing?)
Not a moment too soon either, because we've got new things to learn!
In Guitar 4, we buckled down on some fingerpicking using the T-2-1-3 pattern, each finger tasked with a single string (6,4, 5, 3 respectively). The fretting hand just makes simple two-note powerchord shapes. Here's the original: http://youtu.be/7e-sba4tIss
We'll do some more fingerpicking work out of the songbook in our next meeting, so be sure to bring those with you.
And in case you missed it, here's our triumphant 3Rep grad performance. STILL getting compliments!
http://youtu.be/5zt2ftX0ydM
Saturday's Guitar 3 Rep kicked things off with some Itchycoo Park by the Small Faces. Here's the video I mentioned with the fancy footwork and the shorts. http://youtu.be/14ViwvgtvbA
We talked about building dynamics into the tune with some mellowed-out low volume strumming in the bridges, with a small crescendo over the second measure of E the first time, and a much bigger build the second time. There's also the funny split measure in the chorus. Remember that the first chord gets three beats, the G is on the 4, and the D is on the and of 4 inside the same measure, despite the way it's written.
We also learned the chorus of Ziggy Stardust. Barre chords all the way down, with a fast, hard-rockin' 16th note downstrum. Try to grab the G chord for one quick note on your way back up to the Am (that's the 3 in parenthesis on the handwritten tab). We'll carve off another chunk of that tune in our next meeting.
And Sunday's Guitar 2 Rep revisited--or learned for the first time--the calypso strum! It's the same rhythm as our old friend down, down-up, up, down-up; but we change it up by plucking the root note on the one, really deliberately d-r-a-g-g-i-n-g out our strum on the two, and gently muting on the 3rd beat space. The rhythm in this vid is a little different but it's just too good not to share: http://youtu.be/c_cRHw8PAPA
We also got though Picture Book--great job with that, by the way! I don't think I've ever gotten through that in a single class before, let alone as the second song!--with its modular riff pattern (0 0 2 4) that you replicate on successive strings (the 6th, 5th, and 4th strings OR the 5th, 4th, and 3rd strings depending on where you are in the song) before finishing with a 5 5 4 3 walkdown on the high string. The second time through the riff though, you'll stop short with just one hit on the 5th fret. When you play that truncated version, be sure to rest for the duration of the measure so you don't come in early on the next one! Practice the heck out of your C to F transitions, and try not to get lost in all those split measures--especially at the very end.
http://youtu.be/UjDu3E5zDks
See you soon!
Not a moment too soon either, because we've got new things to learn!
In Guitar 4, we buckled down on some fingerpicking using the T-2-1-3 pattern, each finger tasked with a single string (6,4, 5, 3 respectively). The fretting hand just makes simple two-note powerchord shapes. Here's the original: http://youtu.be/7e-sba4tIss
We'll do some more fingerpicking work out of the songbook in our next meeting, so be sure to bring those with you.
And in case you missed it, here's our triumphant 3Rep grad performance. STILL getting compliments!
http://youtu.be/5zt2ftX0ydM
Saturday's Guitar 3 Rep kicked things off with some Itchycoo Park by the Small Faces. Here's the video I mentioned with the fancy footwork and the shorts. http://youtu.be/14ViwvgtvbA
We talked about building dynamics into the tune with some mellowed-out low volume strumming in the bridges, with a small crescendo over the second measure of E the first time, and a much bigger build the second time. There's also the funny split measure in the chorus. Remember that the first chord gets three beats, the G is on the 4, and the D is on the and of 4 inside the same measure, despite the way it's written.
We also learned the chorus of Ziggy Stardust. Barre chords all the way down, with a fast, hard-rockin' 16th note downstrum. Try to grab the G chord for one quick note on your way back up to the Am (that's the 3 in parenthesis on the handwritten tab). We'll carve off another chunk of that tune in our next meeting.
And Sunday's Guitar 2 Rep revisited--or learned for the first time--the calypso strum! It's the same rhythm as our old friend down, down-up, up, down-up; but we change it up by plucking the root note on the one, really deliberately d-r-a-g-g-i-n-g out our strum on the two, and gently muting on the 3rd beat space. The rhythm in this vid is a little different but it's just too good not to share: http://youtu.be/c_cRHw8PAPA
We also got though Picture Book--great job with that, by the way! I don't think I've ever gotten through that in a single class before, let alone as the second song!--with its modular riff pattern (0 0 2 4) that you replicate on successive strings (the 6th, 5th, and 4th strings OR the 5th, 4th, and 3rd strings depending on where you are in the song) before finishing with a 5 5 4 3 walkdown on the high string. The second time through the riff though, you'll stop short with just one hit on the 5th fret. When you play that truncated version, be sure to rest for the duration of the measure so you don't come in early on the next one! Practice the heck out of your C to F transitions, and try not to get lost in all those split measures--especially at the very end.
http://youtu.be/UjDu3E5zDks
See you soon!
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